Focusing on the concept of slowness in Gilles Deleuze's philosophy, this book diverges from the conventional interpretation of Deleuze as a philosopher of speed or even accelerationism, instead delving into the minor but critical themes in his works, from idiocy to catatonia. Advocating for a pragmatic reading of its source material, it utilises Deleuze's thought to address the...(展开全部)

Miguel de Beistegui identifies the impetus and driving force behind Deleuze's philosophy and its concepts. By returning Deleuze's thought to its source--or, following Deleuze's own vocabulary, to what he calls the event of that thought--Beistegui extracts its inner consistency: immanence. Chapters dealing with the status of thought itself, ontology, logic, ethics, and aesthetic...(展开全部)

In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts ...(展开全部)

Explores Deleuze and Guattari's own diverse conceptions of anarchism and expands it in the spirit of their philosophy This collection of 13 essays addresses and explores Deleuze and Guattari's relationship to the notion of anarchism: in the diverse ways that they conceived of and referred to it throughout their work, and also more broadly in terms of the spirit of their philoso...(展开全部)

Deleuze's concept of `becoming' provides the key to his notoriously complex metaphysics, yet it has not been systematized until now. Bankston tracks the concept of becoming and its underlying temporal processes across Deleuze's writings, arguing that expressions of becoming(s) appear in two modes of temporality: an appropriation of Nietzsche's eternal return (the becoming of th...(展开全部)

In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts ...(展开全部)

Gilles Deleuze was arguably the twentieth century's most spatial philosopher - not only did he contribute a plethora of new concepts to engage space, space was his very means of doing philosophy. He said everything takes place on a plane of immanence, envisaging a vast desert-like space populated by concepts moving about like nomads. Deleuze made philosophy spatial and gave us ...(展开全部)

A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about a range of topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this ...(展开全部)

Gilles Deleuze and Jacques Derrida are the two leading philosophers of French post-structuralism. Both theorists have been widely studied but very little has been done to examine the relation between them. Between Deleuze and Derrida is the first book to explore and compares their work. This is done via a number of key themes, including the philosophy of difference, language, m...(展开全部)

Gilles Deleuze famously declared himself to be a "pure metaphysician" in an era when philosophy seemed preoccupied by the theme of overcoming metaphysics. As a consequence, perhaps, we have scarcely begun to explore the implications of the immanent metaphysics that Deleuze developed almost half a century ago. Alain Beaulieu, Edward Kazarian, and Julia Sushytska have here brough...(展开全部)